28/02/10: DIANA VICKERS- Once

If you were on this planet two years ago and you didn't hear a mention of Diana Vickers, then what rock were you sleeping under? In case you haven't a clue of this sultry solo singer, Diana was featured on The X Factor and made it down to the final four. However, although failing to bag the winner's position, people saw big talent in the unconventional Vickers and she was swiftly signed up to RCA Records and began working on her new album, entitled 'Songs from the Tainted Cherry Tree'.

The first song from this album, titled 'Once', certainly shows that there is a lot of promise in Vickers. When Diana was on The X Factor, her voice was unlike any other contestant, and luckily that original voice plays a huge part in this track. With a killer hook ('I'm only gonna let you kill me once') and lyrics penned by Cathy Dennis and Eg White, the song incorporates elements of synthpop, a sound that is growing in the UK music scene. At times- especially when the word 'Once' is repeated over and over- the song sounds a little samey and too much pop for liking, but it must be stated that this certainly differs from the route other X Factor contestants have taken. Winners such as Leona Lewis and Alexandra Burke have gone for mainstream sounds, but Diana's seems pretty original and quirky in nature.

The song is released on April 19th, one week before Vickers releases her debut album. Today's music scene is packed to the brim with fresh new sounds from female artists, with the likes of Florence + The Machine, Marina and The Diamonds and Ellie Goulding seeing hoards of success. It is yet to be seen whether Diana will see as much success, but this song certainly has the makings to provide the first stepping stone.

24/02/10: GENERAL FIASCO- Ever So Shy

In today's music industry, you have to work hard to get your name above the others, especially when you consider that indie music in particular has some very strong competition. So allow us to introduce General Fiasco, a band from Northern Ireland, who after many demo's seem to have now found a song to introduce themselves to the world.

'Ever So Shy' is a pretty stereotypical indie track, with a stereotypical meaning- boy likes girl, boy points out qualities in girl and so on. However, although it's nothing new, the song is attractive to the ears due to its sing-along nature. Many indie songs plough the airwaves and are instantly criticised as being depressive, but the guitar riffs in this tune prevent that thought from crossing your mind. The vocals of this track come courtesy of lead singer Owen Strathern, whom at the beginning of the song sounds a lot like Placebo's Brian Molko before exploding into a new range that makes the band challenge the likes of The Kooks and Razorlight. Sure, they might not be as good, but this song really sets new heights for the band.

After forming three years ago, General Fiasco have been hanging around behind the scenes with little chart success. However, 'Ever So Shy' has all the makings for General Fiasco to have their name circulated, and if this is to occur, then the band deserve all the success they may get. Their debut album, 'Buildings', is out later next month.

22/02/10: THE COURTEENERS- You Overdid It Doll

It's been quite a while since a great indie track has come about, so allow Mancunian indie band The Courteeners to grace your eardrums with this sensational new track. Following on from the success of their UK top 5 album, 'St. Jude', in 2008, the band are back and starting things off with new material from their second album, 'Falcon' which was released today.

To get things started, 'You Overdid It Doll' is a perfect indie song. But then again, perfect is what you can expect from The Courteeners, whose name rings many bells across the Northern music scene. The track is probably so good as The Courteneers have only slightly altered their much celebrated sound from a few years ago. And they've altered it in a very subtle way, with the backing sound behind Liam Fray's vocals being quite dark, but in an alternative dance kind of way. It's also probably a lot more catchier than previous tracks, with the 'You Overdid It Doll' hook ringing in your ears long after you've finished listening to the track. Also, still on this track is Fray's husky voice which made songs such as 'Not Nineteen Forever' so big across the indie scene.

Change isn't always a good thing for bands, and it's welcoming that this track shows that The Courteeners have only slightly altered what was already pretty perfect. 'You Overdid It Doll' is a brilliant first track to release off the band's new album, and it's already making a huge mark across radio stations across the UK.

21/02/10: CHEW LIPS- Karen

A big name in the UK's underground scene, Chew Lips have seen most of their success through the form of the internet. Last year, tracks such as 'Solo' and 'Salt Air' were widely circulated around sites such as YouTube, Myspace and Lastfm, yet the band were rarely critically acclaimed. However, this year may see that all change, especially following the release of their debut album, 'Unicorn', a month ago.

And with the new album comes the latest release, titled 'Karen.' If you've heard Chew Lips' material before, then this track seems a little more sombre and less catchy than what they have produced previously. However, this is not always a bad thing. 'Karen' incorporates some chilled out electro beats and really highlights the voice of lead singer Tigs. Although this eccentric female's voice isn't the strongest in the pack, it certainly isn't terrible as she sings the beautifully composed lyrics pretty well. The backdrop sound of drums, synths, keyboards and guitars all play a part in Chew Lips' exciting music, and on 'Karen' this is luckily no exception.

When Chew Lips released 'Solo' back in the summer of last year, some critics went as far as saying that the band had produced one of the most exciting hits of the year. 'Karen' clearly isn't as good as 'Solo' as it's a more chilled-out track, but upon listening it clearly proves that Chew Lips deserve to be up there with the best.

20/02/10: ALPHABEAT- Hole In My Heart

Danish pop band Alphabeat haven't been around for a little while, working hard on their newest album to hit the shops, 'The Beat Is...'. This comes after the huge success the band created over in the UK in 2008, with their best-selling song 'Fascination' rapidly becoming an infectious hit. But now, Alphabeat are back, and the first song to come from the band in 2010 is this inspiring track.

'Hole In My Heart' is nothing new in terms of pop music, but Alphabeat certainly have changed their sound over the course of two years. It wasn't entirely necessary that they needed to, but this song gives a new darker, atmospheric twist to Alphabeat's music. Heavily influenced by mid-90's dance acts, 'Hole in My Heart' incorporates some infectious piano beats and the whole feel of the track is Europop. The lyrics are a bit over-repetitive, but this song has the right feel of a dance hit, so expect it to hit the clubs soon.

So, this song certainly brings a new style to Alphabeat, and the band said themselves that their new album sees the loss of the pop roots that dominated their debut album. It's difficult to see whether many people will take notice of the new style, and whether the Danish band will be as successful as they once were, but 'Hole in My Heart' is a very decent- if mediocre- effort of a club hit.

16/02/10: DELPHIC- Halcyon

Alternative dance/indie band Delphic may not have made much of an impact on the UK chart scene with the hotly anticipated 'Doubt'. Although being highly promoted and favoured through a number of radio stations, the song failed to enter the top 75. However, what it did do was show that Delphic were an enchanting band, and their new release 'Halcyon' proves this point furthermore.

Perhaps more radio friendly than 'Doubt', 'Halcyon' starts off with soothing synth sounds before exploding into some serious dance beats. What's welcoming to know, however, is that Delphic are not your traditional dance band. With many dance songs, lyrics are repetitive, lousy and hardly very well strung together. But Delphic break out of the conventions, with the dreamy opening lines ('You said enough, you said too much, you focus solely on her touch, Halcyon') preparing you for a song that undoubtedly blows you away. The song is so amazingly produced that it's also surprising that it was recorded in a small Berlin studio, as the track sounds like serious stuff.

This certainly isn't the last we're going to see of Delphic. Their debut album recently managed to creep into the UK top 10 and the band are acquiring a cult following by the day. Whether this song will catapult Delphic to the fame they achieve is anyone's guess, but 'Halcyon' certainly has all the conventions to do so.

07/02/10: ELIZA DOOLITTLE- Skinny Genes

A few years ago, the UK Charts were bustling with a large number of quirky songs, mainly orientated by the likes of Kate Nash and Lilly Allen. Now, here in 2010, with Nash recording her second album and Allen threatening to leave the UK scene, someone needs to fill the gap. So along comes Eliza Doolittle, whose debut track is set for release in the near future.

'Skinny Genes' basically comments on a relationship, with the track's overall feeling being of a love-hate romance. The lyrics are pretty simple but very cleverly strung together, and the music is whistle-along fodder. Eliza's voice is also pretty strong and within it you get the sense of a 'mockney' accent which boosted Nash and Allen to fame. And that is in no way a bad thing. The sleek piano playing that hides behind Doolittle's voice also works in this track, making the song a chirpy track that will be stuck in your brain for days to come.

Whether this track will boost Doolittle to fame, however, is yet to be seen. She has the voice, the style and the quirkiness, but yet is still very underrated. However, this track is feel-good stuff, and is pretty difficult not to bop along to.

06/02/10: MUMFORD & SONS- The Cave

The crisp lyrics, the background sound of a banjo, the folklike sound and breathtaking vocals- yep, Mumford & Sons are here with a brand new song. Taken from their UK Top 10 Album 'Sigh No More' comes the release of 'The Cave', a brilliantly written song that leaves you in a trance.

The London band, who rose to fame in late 2007 alongside a hoard of other London folk artists, show that they are oh so clear with their sound in this track. The lyrics are daydreamy ('it's empty in the valley of your heart') and so clearly written that it's impossible to look past this track without feeling some form of love towards it. Because, essentially, that's exactly what 'The Cave' is- an incredibly likeable song. Lead singer Marcus has a perfectly natural voice, and it really shines through in this hum-along track.

The song, overall, won't be approved by everyone, but that is what makes Mumford & Sons who they are. Their authentic sound will only be to niche tastes, and 'The Cave' proves this. However, with this track being so perfectly crafted alongside some clever lyrics, you just cannot dismiss the folk band's efforts.

05/02/10: TIESTO FEAT NELLY FURTADO- Who Wants To Be Alone

When you combine the talents of Dutch musician/DJ Tiësto and the well praised Nelly Furtado, you know that together, they're going to produce one heck of a hit. So enter 'Who Wants To Be Alone', which looks set to hit nightclubs around the world with a bang.

Not only does this song have all the necessities for a club hit- the sharp beats, the stunning vocal transition and above-par production values to name just a few- but it has a very catchy chorus which is incredibly difficult to erase from your mind. We haven't seen much of Nelly in the past year or so, so for her to completely dominate the vocals is music to your ears also. The crafty hook ('Take me home, 'til the sun comes up, 'til the sun comes up'), the bouncy music- there's just a lot to like about this track. It's just obvious that this song is going to get everyone up, everyone dancing, no matter whether they want to or not.

At a time when dance music is making an impact on the music industry, this song is set to continue the trend, and don't be surprised if it charts high in the UK. Tiësto is huge around the globe, and like Nelly Furtado, this track is only going to boost his career furthermore.

04/02/10: TINIE TEMPAH- Pass Out

The UK Urban scene has finally reached it's peak, with the last few years charting the success stories of Dizzee Rascal, Chipmunk and Tinchy Stryder to name just a few. Joining this 'crew' is South London rapper/MC Tinie Tempah, a highly anticipated artist who has been battling to gain the same success as his counterparts.

'Pass Out' seems to be the record that will establish Tempah's name on the scene. Not only is it excessively catchy- being lauded by some of the UK's biggest DJ's- but it has that feel of a future hit. The lyrics are pretty promiscuous and nothing you haven't heard before, but the song will make a huge impact, especially in nightclubs. Not only does Tempah rap well (even though the line 'I bin Southampton but ive never bin to Scunthorpe' is pretty bizarre) but the electro beats underneath the vocals really makes this song appealing.

It's hard to believe that for the last three years, Tempah has been highly undiscovered. However, now is Tempah's time to shine and 'Pass Out' is a great track to start off with. More is to come for Tempah as he sets to release his debut album, and a tour with Chipmunk is expected later this month.

03/02/10: ERIK HASSLE- Hurtful

With the style of a male La Roux and a voice similar to OneRepublic's Ryan Tedder, Swedish singer/composer Erik Hassle looks set to make waves on the British music scene. To kick start what he aims to be a successful career comes his debut song, 'Hurtful', which has already seen success in his home country.

'Hurtful' is a song told from the heart, and Hassle brilliantly utilises emotion through his lyrics. The lyrics, in fact, are genius ('you don't know what you got, til you're missing it alot, I had to go throw it away;'), as is the electropop backing feel which really gives this heartfelt song some personality. Although the song fails to be upbeat and you start to feel that Hassle's voice is perhaps on the cheesy side, 'Hurtful' is a great effort of a debut. Like it or not, this song tempts you to listen to more of what Hassle has in store.

However, it's hard to see success in this song. Hassle has entered the music world in a huge market, and with increasing competition it's difficult to see him thrive. But despite this, 'Hurtful' is as radio friendly as a song can get, and it's almost guaranteed that better is to come from this brand new artist.

02/01/10: FLORENCE + THE MACHINE- Hurricane Drunk

2009 was a brilliant year for quirky Florence Welch, who saw her catapult to fame with original, creative and breath taking music. 2010 has seen Florence's success continue, with her debut album 'Lungs' managing to finally grab the number one album spot and saw her version of 'You've Got The Love' climb into the top five. However, Florence's first release of the year is this dreamy track.

'Hurricane Drunk' tells the story of Florence seeing someone she likes with someone else, and how to overcome this she will, in her own words, 'drink herself to death.' The tune isn't overly radio friendly and probably isn't the best track to choose as a release from a full list of contenders off 'Lungs', but Florence's music is always enchanting. Luckily, this makes no exceptions. Using a hurricane as a metaphor of her feelings is perfect, and the music is designed to summarise that whirlwind feeling. The dreamy harp in the background, the powerful vocals- you've heard it all before in Florence's music, but all of her songs have that sense of individuality. 'Hurricane Drunk' luckily seems to follow that trend.

Florence has made comment that she is to work on a new album this year, yet 'Lungs' is filled with enough smash hits to keep us patiently waiting. 'Hurricane Drunk' is probably the most unexpected song off the album to be released, but whatever you think, you cannot fault Florence's talent.

01/02/10: EDITORS- You Don't Know Love

With over two million albums sold, two number one albums and a Mercury Prize nomination, it's simple to wonder whether Editors have had enough fame and success. Well here comes along 'You Don't Know Love', just one of a list of stunning tracks from their new album which shows that Editors will continue to thrive through the new year.

In a recent interview, the band stated that their new album- titled 'In This Light and On This Evening'- would have more of a raw and authentic sound, and one listen to this track proves just that. Not only are you overwhelmed by the tracks riffs, synths and backing music, but as like every track produced from the Birmingham band, Tom Smith's voice is enchanting. The song really contrasts the band's previous work, but yet a new change in sound hasn't really affected the appeal of the music Editors produce.

Many fans have criticised Editors new album, in that it really flaunts the new direction the band have chosen to go against. But you cannot fault that Editors are simply producing more catchier, radio friendly tunes, and 'You Don't Know Love' is a highlight of the band's fresh synthpop influences.

31/01/10: ELLIE GOULDING- Starry Eyed

It’s official- Ellie Goulding is currently one of the most hyped artists in the UK today. Not only has she managed to bag herself a Brits Critic’s Choice Award, but she also was able to top the BBC’s infamous Sound of... list for 2010. So what’s so good about this fresh 23-year-old artist? Well have a listen to Starry Eyed and let the music provide the answers.

What’s perhaps so perfect about ‘Starry Eyed’ is how Ellie’s vocals are utilised throughout the track. The song’s production sees Ellie’s vocals not only leading the song, but also providing backing over this stunning electropop tune. It’s almost as if this tune is sung by a fully fledged band, not a shy female artist. Whether you like it or not, this is one of those songs that will stick in your head for days, as you find yourself humming the track’s crafty hook (‘next thing, we’re touching’).

It’s tempting to call Ellie a ‘British Lady Gaga’, but that wouldn’t be fair as Goulding’s music is in a completely different league. Big things are to come for this artist, and it looks like ‘Starry Eyed’ will be the first stepping stone in Goulding’s climb up the UK music industry.

30/01/10: MIIKE SNOW- Silvia

Sweden has introduced music fans to some great artists over the past few years, from the likes of Basshunter to Robyn. Next to arrive on the scene is experimental music band Miike Snow, and with a blinding hit like this you just know they're going to be tearing up the scene over here in the UK.

'Silvia' is simply a beautiful song, produced from a combination of piano keys, electro beats and soothing vocals. Singer/songwriter Andrew Wyatt doesn't have a phenomenal voice, but this isn't designed to be a phenomenal song- it just does it's job through sheer simplicity. With some outstanding lyrics ('and you tell yourself you won't let them touch, did I say too much, did I say enough') and a varying tempo throughout, 'Silvia' will leave you wanting to hear more.

It's shocking that Miike Snow haven't had such a big impact on the charts lately. It's easy to argue that their music isn't anything new, but 'Silvia' is a brilliantly produced track that is difficult to ignore.

29/01/10: I BLAME COCO FEAT ROBYN- Caesar

When you hear of someone spawned from the musical legend that is Sting, it doesn't matter whether they're a good or bad artist to know that they're going to have some form of success. However, luckily for the eardrums, I Blame Coco falls into the 'good' category, and with this song you don't need to wonder why.

What's best about this song is that you need an acquired taste in music to like it. Although it's a pretty catchy tune, there's something original about the track, with the same being said about Coco's- real name Eliot Pauline Sumner- deep voice. The inclusion of Robyn, the Swedish super hit who has notched up a UK number 1 hit in the past, is also much needed and makes the chorus a catchy number that will force you to repeat the tune over and over.

Whether big things are to come for Coco, though, would be questionable. It's doubtful that the song will be as big as it deserves to be, and the lyrics are pretty tricky to decipher. Despite this, however, it's a great debut song and hopefully goes on to become a big success for Coco.

Released 1st February, 2010

What's the Big Idea?

Yo,

After umming and arring over a few ideas about a new blog, I've opted to go for something I have a big interest in- new music. Recently, I've been scouring YouTube, Spotify and Last.fm for new bands and new songs and I've been overwhelmed with some of the music I've come across.

So here's the deal- I plan to update this blog at least every few days with a new song that is gracing my eardrums xD. Obviously you won't always agree with me that the song is probably the best choice of music, but I'm just sharing my interest of the new talent I happen to stumble across.

Hope you enjoy, and I should be updating this later!

Lee